1
00 - Preface; My Purpose; My Title to Write on the Art of Song
2
01 - Section 1: Preliminary Practice
3
02 - Section 2: Of the Breath
4
03 - Section 3: Of the Breath and Whirling Currents
5
04 - Section 4: The Singer's Physiological Studies
6
05 - Section 5: Equalizing the Voice - Form
7
06 - Section 6: The Attack and the Vowels
8
07 - Sections 7-8: Nasal Singing; The Head Voice
9
08 - Sections 9-12: Sensations of Tongue, Nose, Palate and Resonance of Head Cavities
10
09 - Sections 13-14: On Vocal Registers; Development and Equalization
11
10 - Sections 15-16: White Voices; Theodor Wachtel
12
11 - Section 17: Highest Head Tones
13
12 - Sections 18-19: The Tremolo; The Cure
14
13 - Sections 20-21: The Tongue; Preparations for Singing
15
14 - Sections 22-24: Position of the Mouth; Connection of Vowels; The Lips
16
15 - Sections 25-27: The Vowel Sound Ah; Italian and German; Auxiliary Vowels
17
16 - Sections 28-30: Resonant Consonants; Practical Exercises; The Great Scale
18
17 - Sections 31-32: Velocity; Trill
19
18 - Section 33: How to Hold One's Self when Practising
20
19 - Section 34: Pronunciation - Consonants
21
20 - Sections 35-36: Concerning Expression; Before the Public
22
21 - Sections 37-38 and Note: Interpretation; In Conclusion; Remedy for Catarrh and Hoarseness
Thể loại: Sách nói
Nhà xuất bản: librivox.org
Ngày cập nhật: 23/06/2025
